Unified Field Drawings

For this I used a stiff bristled Chinese brush. I really enjoyed the sharp contrast between the black and the fresh white paper. I liked that the stroke could start thin and widen, rather like a calligraphy pen, but it frustrated me that I could not seem to get the same effect at the finish. Rather, the stroke seemed to end in a blob.  However, this was my favorite to work with, and the fact that I have dealt with it less than charcoal made it much more interesting and exciting.